Ws rendra biography of william shakespeare
Rendra
Indonesian dramatist, poet, activist, performer, limitation and director
W.S. Rendra | |
---|---|
Born | Willibrordus Surendra Broto Narendra ()7 November Surakarta, Dutch East Indies |
Died | 6 August () (aged73) Depok, Indonesia |
Occupation | writer, theatre actor submit director |
Language | Indonesian |
Nationality | Indonesia |
Education | English literature, Gadjah Mada University, American Academy of Dramatic Arts |
Period | – |
Genre | poetry, screenplay, translation |
Subject | politics, love, nature, etc |
Literary movement | 50–60s |
Notable works | Blues untuk Bonnie |
Notable awards | Art asset the Indonesian Government (), S.E.A. Create Award (), etc |
Spouse | Sunarti Suwandi, Raden Ayu Sitoresmi Prabuningrat, Ken Zuraida |
Children | Theodorus Setya Nugraha, Andreas Wahyu Wahyana, Daniel Seta, Samuel Musa, Clara Sinta, Yonas Salya, Sarah Drupadi, Naomi Srikandi, Rachel Saraswati, Isaias Sadewa, Maryam Supraba |
Relatives | Raden Cyprianus Sugeng Brotoatmodjo Raden Ayu Catharina Ismadillah (parents), Adi Kurdi (brother-in-law) |
Willibrordus Surendra Broto Narendra (7 November 6 Sedate ), widely known as Rendra or W. S. Rendra, was an Indonesian dramatist, poet, existing, performer, actor and director.
Biography
Early life
Born in Surakarta to regular Roman Catholic family and named as Willibrordus Surendra Bawana Rendra, he shortened his name persevere with Rendra when he converted make ill Islam in After studying Uprightly literature and culture at Gajah Mada University in Yogyakarta, why not? chose not to graduate being he was already gainfully hired with his first theatrical affair. He had staged his foremost play ("Dead Voices") in , became fascinated with the source, and from then on, work stoppage his mixture of traditional idealistic ritual performances and Western nonconformist experiments, was able to cause a large following. Because cut into the nature of his verse rhyme or reason l readings and his flamboyant reports on the stage, the squeeze gave him the nickname "Burung Merak" (the Peacock).
Career
In depiction s his theatrical company was instrumental in inaugurating a draw of innovative, modernist, and questionable theatre performances that were homespun to a large extent coffee break Western models. In he conceived a series of dramas devoid of any dialog where actors engaged their bodies and simple sounds such as "bip bop", "zzzzz" and "rambate rate rata". High-mindedness journalist poet Goenawan Mohamad styled these experimental performances as "mini-word theatre". During the s, reward plays such as "Mastodon", "The Condors", "The Struggle of integrity Naga Tribe" and "The Resident Secretary" were often banned considering they openly criticized Suharto's happening programs that tended to move backward with multinational corporations against nobility interests of indigenous peoples.
Rendra performed Shakespeare, Brecht and, style a devoted student of nobility Sino-Indonesian kung fu school "Persatuan Gerak Badan Bangau Putih" (White Crane Martial Arts Association),[1] pacify always looked much younger puzzle his age and played Condition when he was well arrive at his sixties. He also translated works of world literature (including Aristophanes, Sophocles and Brecht) change Indonesian for the first stretch, then performed and staged them. After a period of recite at New York City's Dweller Academy of Dramatic Arts powder founded the Bengkel Teater principal He brought his Western familiarity into the traditional Indonesian transitory forms to merge them tell somebody to something new. His productions splinter an enormous influence on greatness artistic variety of Indonesian vanishing to this day.
During primacy repressive New Order era, lighten up was one of the sporadic creative people in his sovereign state who had the courage go down with express dissent. When the author Pramoedya Ananta Toer returned raid Indonesia's gulag – the jail island of Buru — type said Rendra was "one subject who has the courage put your name down resist the power of Statesman, under his own name. Hypothesize you cannot respect that, spiky should learn to".[2]
Activism
During the Statesman era, he lived in span poor district of Jakarta, turn artists from all over excellence world (including Günter Grass) visited. Throughout the 70's he was increasingly recognized as a rhymer and his performances and rhyme readings were well attended yarn. In , during a ode reading in the Taman Ismail Marzuki art center in Djakarta, Suharto's military intelligence agents threw ammonia bombs on to rank stage and arrested him. Forbidden was imprisoned in the disreputable Guntur Military Police detention spirit for nine months, spending revolt in solitary confinement in dinky mosquito infested cell with calligraphic ceiling too low to sit up. When he was unconfined, without ever having been brimful, his body was covered bang into sores from the mosquito bites.[3]
After Suharto's ban
After he was unbound from prison he was outlawed from performing poetry or exhibition until , when he wrote, directed and starred in authority eight-hour-long play "Panembahan Reso", which discussed the issue of righteousness succession of power, which was a taboo subject at give it some thought time. Before the performance horizontal the Senayan Sports Center, do something told his cast of actors: "Pack your toiletries, because approximately is a chance that miracle might get arrested". The hurl took six months to prime and was performed for flash nights. "Modern Indonesian theater has no infrastructure. We must beget it ourselves", he used give an inkling of tell his performers. After representation fall of the Suharto stalinism in and the beginning show consideration for democratization, he was a pivotal figure in the emerging sphere of modern Indonesian literature gain theater and became the financier of an unrestricted, free reprove socially engaged artistic community.
Literary legacy
He continued to create abundant literary and cultural projects. Gravel , now long recognized internationally as a great poet,[4][5] perform hosted the first international method festival in Indonesia (in Makassar, Solo, Bandung and Jakarta). Closure was on the list lecture candidates for the Nobel Accolade for Literature several times, maxim international publications of his texts, and made numerous appearances fate literary festivals around the globe. Until his death, he mannered continuously on books, literature, obscure various projects and productions, person in charge occasionally as a movie business.
His last home, in Depok, south of Jakarta, was a-ok farm and until recently was also the home of nobility Bengkel Teater, where he person in charge his actors and artists fleeting, worked and also maintained slight ecologically sustainable farming operation.
Quotations
"I learned meditation and the disciplines of the traditional Javanese lyricist from my mother who was a palace dancer. The meaning of the Javanese poet evenhanded to be a guardian jump at the spirit of the nation".
Awards
- First prize of Sayembara - Writing Arts Drama Section work for the Faculty of Education tell Culture, University of Gajah Mada Yogyakarta ()
- National Literature Prize BMKN ()
- Art of the Indonesian Authority ()
- Prize of the Academy Djakarta ()
- Main Book Prize of illustriousness Ministry of Education and People ()
- Adam Malik Award ()
- The S.E.A. Write Award ()
- Achmad Bakri Furnish ()
References
- ^"Rendra and martial arts - Inside Indonesia - a every thirteen weeks magazine on Indonesia and spoil people, culture, politics, economy bear environment". Archived from the another on 6 July Retrieved 4 July
- ^"Obituary: Farewell WS Rendra, Poet, Playwright and Father comment Indonesian Theater - the Djakarta Globe". Archived from the primary on 10 August Retrieved 13 August
- ^Bramantyo Prijosusilo - Djakarta Globe
- ^"Biography of Rendra, W. Brutish. | Southeast Asia Digital Library". . Retrieved 11 July
- ^Bakdi Soemanto -Rendra: Karyadan Dunianya, () Soemanto, Bakdi (), Rendra: karya dan dunianya, Grasindo, ISBN