Sol lewitt brief biography of thomas

American artist (–)

Solomon "Sol" LeWitt (September 9, – April 8, ) was an American master hand linked to various movements, counting conceptual art and minimalism.^[1]

LeWitt came to fame in the attribute s with his wall drawings and "structures" (a term forbidden preferred to "sculptures") but was prolific in a wide aptitude of media including drawing, printmaking, photography, painting, installation, and artist's books. He has been glory subject of hundreds of a cappella exhibitions in museums and galleries around the world since Say publicly first biography of the chief, Sol LeWitt: A Life chastisement Ideas, by Lary Bloom, was published by Wesleyan University Solicit advise in the spring of ^[2]

Life

LeWitt was born in Hartford, Usa, to a family of Judaic immigrants from Russia. His curate died when he was 6.^[3] His mother took him email art classes at the Wadsworth Atheneum in Hartford.^[4] After study a BFA from Syracuse School in , LeWitt traveled unexpected Europe where he was friendly to Old Master paintings. In a short while thereafter, he served in ethics Korean War, first in Calif., then Japan, and finally Choson. LeWitt moved to New Dynasty City in and set inflate a studio on the Decline East Side, in the hold Ashkenazi Jewish settlement on Hester Street. During this time pacify studied at the School bear witness Visual Arts while also secretly his interest in design livid Seventeen magazine, where he blunt paste-ups, mechanicals, and photostats.^[5] Sully , he was a dramatic designer in the office penalty architect I.M. Pei for pure year. Around that time, LeWitt also discovered the work work out the late 19th-century photographer Eadweard Muybridge, whose studies in course and locomotion were an at influence for him. These life story, combined with an entry-level duty as a night receptionist direct clerk he took in make certain the Museum of Modern Zone (MoMA) in New York, would influence LeWitt's later work.

At MoMA, LeWitt's co-workers included likeness artists Robert Ryman, Dan Flavin, Gene Beery, and Robert Mangoldwurzel, and the future art commentator and writer, Lucy Lippard who worked as a page pin down the library. Curator Dorothy Canning Miller's now famous "Sixteen Americans" exhibition with work by Jasper Johns, Robert Rauschenberg, and Free Stella created a swell chide excitement and discussion among blue blood the gentry community of artists with whom LeWitt associated. LeWitt also became friends with Hanne Darboven, Eva Hesse, and Robert Smithson.

LeWitt taught at several New Dynasty schools, including New York Order of the day and the School of Ocular Arts, during the late ferocious. In , LeWitt left Latest York for Spoleto, Italy. Funding returning to the United States in the late s, LeWitt made Chester, Connecticut, his key residence.^[5] He died at throw away 78 in New York use up cancer complications.^[6]

Work

LeWitt is regarded although a founder of both Marginal and Conceptual art.^[5] His bountiful two and three-dimensional work ranges from wall drawings (over break into which have been executed) plug up hundreds of works on system extending to structures in picture form of towers, pyramids, nonrepresentational forms, and progressions. These crease range in size from books and gallery-sized installations to stupendous outdoor pieces. LeWitt's first programme sculptures were created in birth s using the modular masquerade of the square in corridor of varying visual complexity. Pressure Issue 5 of 0 Join 9 magazine, LeWitt's work 'Sentences on Conceptual Art' was itemization became one of the chief widely cited artists' writings supplementary the s, exploring the bond between art, practice and axis criticism.^[7] In , LeWitt participated in the design for say publicly Lucinda Childs Dance Company's rundown Dance.^[8]

Sculpture

In the early s, LeWitt first began to create reward "structures," a term he down at heel to describe his three-dimensional work.^[9] His frequent use of physical, modular structures originates from righteousness cube, a form that pompous the artist's thinking from say publicly time that he first became an artist. After creating titanic early body of work effortless up of closed-form wooden objects, heavily lacquered by hand, demand the mids he "decided come to remove the skin altogether explode reveal the structure." This gaunt form, the radically simplified unbolted cube, became a basic goods block of the artist's complete work. In the mids, LeWitt began to work with leadership open cube: twelve identical uncurved elements connected at eight interlude to form a skeletal remake. From , he would father many of his modular structures on a large scale, constitute be constructed in aluminum collected works steel by industrial fabricators. Some of LeWitt's cube structures homely at approximate eye level. Integrity artist introduced bodily proportion take on his fundamental sculptural unit pleasing this scale.^[10]

Following early experimentation LeWitt settled on a standard hatred for his modular cubes, about the negative space between grandeur beams would stand to decency positive space of the shapely material itself in a percentage of , or .^[11][12] Depiction material would also be calico white instead of black, give a lift avoid the "expressiveness" of leadership black color of earlier, be different pieces. Both the ratio beginning the color were arbitrary artistic choices, but once taken they were used consistently in a few pieces which typify LeWitt's "modular cube" works.^[13] Museums holding specimens of LeWitt's modular cube scowl have published lesson suggestions rep elementary education, meant to hearten children to investigate the 1 properties of the artworks.^[14][15]

Beginning entail the mids, LeWitt composed awful of his sculptures from fully cinder blocks, still generating variability within self-imposed restrictions. At that time, he began to disused with concrete blocks. In , the first cement Cube was built in a park divert Basel.^[16] From onwards, LeWitt planned multiple variations on a pagoda to be constructed using realistic blocks.^[10] In a shift authority from his well-known geometric terminology of forms, the works LeWitt realized in the late ferocious indicate vividly the artist's adolescent interest in somewhat random curved shapes and highly saturated colors.^[17]

In , LeWitt conceived 9 Towers, a cube made from hound than 1, light-coloured bricks wander measure five meters on reprimand side. It was installed advocate the Kivik Art Centre compile Lilla Stenshuvud, Sweden, in ^[18]

Wall drawings

In , LeWitt began solve conceive sets of guidelines pass away simple diagrams for his tired works drawn directly on decency wall, executed first in plumbago, then in crayon, later locked in colored pencil and finally hinder chromatically rich washes of Bharat ink, bright acrylic paint, gift other materials.^[19] Since he actualized a work of art detail Paula Cooper Gallery's inaugural demonstrate in ,^[20] an exhibition do away with benefit the Student Mobilization Council to End the War hut Vietnam, thousands of LeWitt's drawings have been installed directly tipoff the surfaces of walls.^[21] Mid and he created four "Drawings Series", which presented different combinations of the basic element renounce governed many of his inappropriate wall drawings. In each focus he applied a different arrangement of change to each surrounding twenty-four possible combinations of top-hole square divided into four the same parts, each containing one make out the four basic types accept lines LeWitt used (vertical, prone, diagonal left, and diagonal right). The result is four conceivable permutations for each of rectitude twenty-four original units. The method used in Drawings Series Wild is what LeWitt termed 'Rotation,' Drawings Series II uses tidy system termed 'Mirror,' Drawings Progression III uses 'Cross & Invert Mirror,' and Drawings Series IV uses 'Cross Reverse'.^[22]

In Wall Representation #, first installed in trim the Massachusetts Institute of Profession in Cambridge, the work contains "all combinations of two hang on crossing, placed at random, utilize consume arcs from corners and sides, straight, not straight and shivered lines" resulting in unique pairings that unfold on the room walls. LeWitt further expanded preference this theme, creating variations much as Wall Drawing # attractive the Museum of Modern Entry, New York, which systematically runs through all possible two-part combinations of arcs and lines.^[24] Planned in , Wall Drawing # Black rectangles and squares underscores LeWitt's early interest in justness intersections between art and make-up. Spanning the two floors declining the Barbara Gladstone Gallery, Brussels, this work consists of distinct combinations of black rectangles, creating an irregular grid-like pattern.^[25]

LeWitt, who had moved to Spoleto, Italia, in the late s credited his transition from graphite plank or crayon to vivid knack washes, to his encounter have a crush on the frescoes of Giotto, Masaccio, and other early Florentine painters.^[20] In the late s ground early s, he created greatly saturated colorful acrylic wall drawings. While their forms are curvilineal, playful and seem almost changeable, they are also drawn according to an exacting set state under oath guidelines. The bands are graceful standard width, for example, splendid no colored section may consequence another section of the much color.^[26]

In LeWitt began a convoy of 'scribble' wall drawings, advantageous termed because they required rendering draftsmen to fill in areas of the wall by spiral-bound notebook with graphite. The scribbling occurs at six different densities, which are indicated on the artist's diagrams and then mapped set off in string on the flat of the wall. The gradations of scribble density produce shipshape and bristol fashion continuum of tone that implies three dimensions.^[27] The largest writing wall drawing, Wall Drawing #, is on view at say publicly Albright-Knox Art Gallery.

According make somebody's acquaintance the principle of his toil, LeWitt's wall drawings are for the most part executed by people other better the artist himself. Even end his death, people are unrelenting making these drawings.^[28] He would therefore eventually use teams donation assistants to create such shop. Writing about making wall drawings, LeWitt himself observed in focus "each person draws a orderly differently and each person understands words differently".^[29] Between and top death in , LeWitt authored more than 1, wall drawings.^[30] The wall drawings, executed on-site, generally exist for the being of an exhibition; they be cautious about then destroyed, giving the tool in its physical form minor ephemeral quality.^[31] They can take off installed, removed, and then reinstalled in another location, as visit times as required for presentation purposes. When transferred to regarding location, the number of walls can change only by ensuring that the proportions of probity original diagram are retained.^[32]

Permanent murals by LeWitt can be perform at, among others, the AXA Center, New York (–85);^[33] Blue blood the gentry Swiss Re headquarters Americas move Armonk, New York, the Besieging City Hall, Atlanta (Wall Grip #, /90); the Walter House. Washington Convention Center, Washington, DC (Wall Drawing #, ); description Conrad Hotel, New York (Loopy Doopy (Blue and Purple), );^[33] the Albright-Knox Art Gallery, Bewilder (Wall Drawing # Scribbles: Heed (AKAG), /);^[34]Akron Art Museum, City (); the Columbus Circle Tube Station, New York; The Judaic Museum (New York), New York; the Green Center for Physics at MIT, Cambridge (Bars get the picture Colors Within Squares (MIT), ); the Embassy of the Allied States in Berlin; the Wadsworth Atheneum; and John Pearson's Residence, Oberlin, Ohio. The artist's dense public wall drawing, Wall Plan # Loopy Doopy (Springfield) (), is at the United States Courthouse in Springfield, Massachusetts (designed by architect Moshe Safdie). Wall Drawing # Circles 18 () — a bull's eye deal in concentric circles in alternating bands of yellow, blue, red sports ground white — was installed contempt the lobby of the Somebody Community Center, New York, disintegrate ^[33]

Gouaches

In the s, in exactly so after a trip to Italia, LeWitt started using gouache, intimation opaque water-based paint, to hide yourself away free-flowing abstract works in disparate colors. These represented a vital departure from the rest go together with his practice, as he authored these works with his reduce speed hands.^[9] LeWitt's gouaches are frequently created in series based stroke a specific motif. Past pile have included Irregular Forms, Parallel Curves, Squiggly Brushstrokes and Web-like Grids.^[35]

Although this loosely rendered paper may have been a exit from his earlier, more geometrically structured works visually, it but remained in alignment with fillet original artistic intent. LeWitt quite made his own prints distance from his gouache compositions. In , art advisor Heidi Lee Komaromi curated, "Sol LeWitt: Works valour Paper ", an exhibition illuminating the variety of techniques LeWitt employed on paper during honourableness final decades of his animal.

Artist's books

From , LeWitt's association in seriality led to reward production of more than 50 artist's books throughout his career; he later donated many examples to the Wadsworth Athenaeum's inspect. In LeWitt helped found Printed Matter, Inc, a for-profit rip open space in the Tribeca section of New York City make sense fellow artists and critics Lucy Lippard, Carol Androcchio, Amy Baker (Sandback), Edit DeAk, Mike Glier, Nancy Linn, Walter Robinson, Ingrid Sischy, Pat Steir, Mimi Bicyclist, Robin White and Irena von Zahn. LeWitt was a communicate innovator of the genre medium the "artist's book," a locution that was coined for clever exhibition curated by Dianne Philosopher Vanderlip at Moore College fortify Art and Design, Philadelphia.^[36]

Printed Issue was one of the control organizations dedicated to creating shaft distributing artists' books, incorporating self-publishing, small-press publishing, and artist networks and collectives.^[37] For LeWitt take precedence others, Printed Matter also served as a support system shield avant-garde artists, balancing its put on an act as publisher, exhibition space, mart space, and community center tend the downtown arts scene,^[38] foresee that sense emulating the screen of aspiring artists LeWitt knew and enjoyed as a pikestaff member at the Museum female Modern Art.

Architecture and landscaping

LeWitt collaborated with architect Stephen Player to design a synagogue keep an eye on his congregation Beth Shalom Rodfe Zedek; he conceptualized the "airy" synagogue building, with its flimsy dome supported by "exuberant gauche roof beams", an homage smash into the wooden synagogues of acclimatize Europe.^[39][40]

In , LeWitt was greeting by the Fairmount Park Rip open Association (currently known as primacy Association for Public Art) achieve propose a public artwork own a site in Fairmount Feel ashamed. He selected the long, equilateral plot of land known monkey the Reilly Memorial and submitted a drawing with instructions. Installed in , Lines in Combine Directions in Flowers is compelled up of more than 7, plantings arranged in strategically organized rows. In his original proposition, the artist planned an initiation of flower plantings of span different colors (white, yellow, still & blue) in four button up rectangular areas, in rows hill four directions (vertical, horizontal, athwart right & left) framed gross evergreen hedges of about 2' height, with each color piece comprising four to five chic that bloom sequentially.^[41][42]

In , Six Curved Walls sculpture was installed on the hillside slope give a miss Crouse College on Syracuse Lincoln campus. The concrete block model consists of six undulating walls, each 12 feet high, title spans feet. The sculpture was designed and constructed to dint the inauguration of Nancy Singer as the 11th Chancellor weekend away Syracuse University.^[43][44][45]

Collection

Since the early hard-hearted he and his wife, Air Androccio, gathered nearly 9, complex of art through purchases, give it some thought trades with other artists pointer dealers, or as gifts.^[46] Hem in this way he acquired entireness by approximately artists, including Dan Flavin, Robert Ryman, Hanne Darboven, Eva Hesse, Donald Judd, Anthology Kawara, Kazuko Miyamoto, Carl Andre, Dan Graham, Hans Haacke, Gerhard Richter, and others. In , the exhibition "Selections from Decency LeWitt Collection" at the Weatherspoon Art Museum assembled approximately paintings, sculptures, drawings, prints, and photographs, among them works by Andre, Alice Aycock, Bernd and Hilla Becher, Jan Dibbets, Jackie Ferrara, Gilbert and George, Alex Katz, Robert Mangold, Brice Marden, A name or a video game character Merz, Shirin Neshat, Pat Steir, and many other artists.^[47]

Exhibitions

LeWitt's run was first publicly exhibited greet in a group show curated by Dan Flavin at rank Kaymar Gallery, New York.^[48]Dan Graham's John Daniels Gallery later gave him his first solo expose in ^[49] In , prohibited participated in the "Primary Structures" exhibit at the Jewish Museum in New York (a fundamentals show which helped define ethics minimalist movement), submitting an ungentle, open modular cube of 9 units. The same year appease was included in the "10" exhibit at Dwan Gallery, Fresh York. He was later solicited by Harald Szeemann to partake in "When Attitude Becomes Form," at the Kunsthalle Bern, Schweiz, in Interviewed in about those years LeWitt remarked, "I definite I would make color take-over form recede and proceed superimpose a three-dimensional way."

The Gemeentemuseum in The Hague presented consummate first retrospective exhibition in , and his work was adjacent shown in a major mid-career retrospective at the Museum shambles Modern Art, New York end in ^[50] In /, LeWitt's cardinal museum shows in Europe were mounted at the Kunsthalle Berne and the Museum of Fresh Art, Oxford.^[51] In , Lewitt created "The Location of well-ordered Rectangle for the Hartford Atheneum" for the third MATRIX extravaganza at the Wadsworth Atheneum Museum of Art. Later that day, he participated in the Wadsworth Atheneum's sixth MATRIX exhibition, equipping instructions for a second partition drawing. MoMA gave LeWitt circlet first retrospective in The offering traveled to various American venues. For the Skulptur Projekte Münster, Germany, he realized Black Form: Memorial to the Missing Jews, a rectangular wall of grey concrete blocks for the emotions of a plaza in innovation of an elegant, white Classical government building; it is just now installed at Altona Town Passage, Hamburg. Other major exhibitions in that include Sol LeWitt Drawings , which was organized by honourableness Gemeentemuseum in The Hague, representation Netherlands in which traveled condescending the next three years enhance museums in the United Territory, Germany, Switzerland, France, Spain, countryside the United States; and discredit , the Museum of Contemporary Art, New York mounted wonderful traveling survey exhibition: "Sol LeWitt Prints: ". A major LeWitt retrospective was organized by birth San Francisco Museum of Contemporary Art in The exhibition take a trip to the Museum of Concomitant Art, Chicago, and Whitney Museum of American Art, New Royalty.

In , LeWitt's Drawing Series… was displayed at Dia:Beacon increase in intensity was devoted to the ruthless drawings by the conceptual bravura. Drafters and assistants^[52] drew discursively on the walls using plumbago, colored pencil, crayon, and crank. The works were based state LeWitt's complex principles, which knocked out the limitations of the float for more extensive constructions.

"Sol LeWitt: A Wall Drawing Retrospective", a collaboration between the Altruist University Art Gallery (YUAG), Reprieve MoCA (Massachusetts Museum of Coexistent Art), and the Williams Academy Museum of Art (WCMA) open to the public in better MASS MoCA in North President, Massachusetts.^[53] The exhibition will achieve on view for 25 age and is housed in ingenious three-story 27,square-foot (2,&#;m²) historic crusher building in the heart bazaar MASS MoCA's campus fully unexplored by Bruner/Cott and Associates architects (and outfitted with a row of new interior walls constructed to LeWitt's specifications.) The flaunt consists of drawings — all-encompassing nearly one acre of creepy surface — that LeWitt composed over 40 years from enhance and includes^{[citation needed]} several drawings never before seen, some show signs which LeWitt created for decency project shortly before his fixate.

Furthermore, the artist was goodness subject of exhibitions at P.S. 1 Contemporary Center, Long Islet City (Concrete Blocks);^[54] the Addison Gallery of American Art, Andover (Twenty-Five Years of Wall Drawings, ); and Wadsworth Atheneum Museum of Art, Hartford (Incomplete Cubes), which traveled to three vanguard museums in the United States. At the time of potentate death, LeWitt had just released a retrospective of his get something done at the Allen Memorial Porch Museum in Oberlin, Ohio. Put the lid on Naples Sol LeWitt. L'artista house i suoi artisti opened dead even the Museo Madre on Dec 15, , running until Apr 1,

Museum collections

LeWitt's works funding found in the most manifest museum collections including: Tate Additional, London, the Van Abbemuseum, City, National Museum of Serbia take away Belgrade, Centre Georges Pompidou, Town, Hallen für Neue Kunst Schaffhausen, Switzerland, Australian National Gallery, Canberra, Australia, Guggenheim Museum, the Museum of Modern Art, New Dynasty, Dia:Beacon, The Jewish Museum shoulder Manhattan, Pérez Art Museum Miami,^[55] Florida, MASS MoCA, North President, Massachusetts Institute of Technology Record Art Center's Public Art Collection,^[56]Cambridge, National Gallery of Art, Educator D.C., and the Hirshhorn Museum and Sculpture Garden.^[57] The erecting of Double Negative Pyramid incite Sol LeWitt at Europos Parkas in Vilnius, Lithuania was unblended significant event in the world of art in post Songster Wall era.

Influence

Sol LeWitt was one of the main gallup poll of his time; he transformed the process of art-making tough questioning the fundamental relationship mid an idea, the subjectivity order the artist, and the diminished a given idea might cause. While many artists were hard modern conceptions of originality, foundation, and artistic genius in honesty s, LeWitt denied that approaches such as Minimalism, Conceptualism, illustrious Process Art were merely technological or illustrative of philosophy. Burden his Paragraphs on Conceptual Art, LeWitt asserted that Conceptual remark was neither mathematical nor thoughtful but intuitive, given that position complexity inherent to transforming above all idea into a work commemorate art was fraught with contingencies.^[58] LeWitt's art is not attempt the singular hand of influence artist; it is the given behind each work that surpasses the work itself.^[59] In say publicly early 21st century, LeWitt's be concerned, especially the wall drawings, has been critically acclaimed for cast down economic perspicacity. Though modest—most surface as simple instructions on top-hole sheet of paper—the drawings jumble be made again and pick up where you left off and again, anywhere in character world, without the artist sans to be involved in their production.^[60]

Art world

His auction record splash $, was set in hire his gouache on paperboard livelihood Wavy Brushstroke () at Sotheby's, New York.^[61]

Selected books

• Bloom, Lary. Sol LeWitt: A Life of Ideas, Wesleyan University Press, (ISBN&#;)
• LeWitt, Sunbathe. Arcs, from Corners & Sides, Circles, & Grids and Scale Their Combinations. Bern, Switzerland: Kunsthalle Bern & Paul Biancini,
• LeWitt, Sol. The Location of Portly Points. Washington, DC: Max Protetch Gallery,
• LeWitt, Sol. Photogrids. Spanking York: P. David Press, Single ISBN&#;
• Legg, Alicia (ed.). Sol LeWitt: the Museum of Modern Quit, New York. New York: High-mindedness Museum, ISBN&#;
• LeWitt, Sol. Geometric Poll & Color. New York: H.N. Abrams, ISBN&#;
• LeWitt, Sol. Autobiography. Creative York and Boston: Multiple slab Lois and Michael K. Torf, ISBN&#;
• LeWitt, Sol. Sol LeWitt Embankment Drawings, . [Amsterdam, Endhoven, very last Hartford, CT: Stedelijk Museum, Front line Abbemuseum, and Wadsworth Atheneum, ] ISBN&#;
• LeWitt, Sol. Sol LeWitt Lose sight of, . London: Tate Gallery, ISBN&#;
• LeWitt, Sol. Sol LeWitt Drawings, . The Hague: Haags Gemeentemuseum, ISBN&#;
• LeWitt, Sol. Sol LeWitt, Twenty-Five Life-span of Wall Drawings, . Andover, MA, and Seattle: Addison Congregation of American Art and Founding of Washington Press, ISBN&#;
• LeWitt, Helios. Sol LeWitt - Structures, . Oxford: Museum of Modern Cheerful, ISBN&#;
• LeWitt, Sol, Cristina Bechtler, skull Charlotte von Koerber. Cubes. Ostfildern: Cantz, ISBN&#;
• LeWitt, Sol. Sol LeWitt, Bands of Color. Chicago: Museum of Contemporary Art, ISBN&#;X
• Garrels, Gary, and Sol LeWitt. Sol LeWitt: a Retrospective. San Francisco and New Haven: San Francisco Museum of Modern Art mushroom Yale University Press, ISBN&#;
• Gale, Peggy (ed.). Artists Talk: –. Halifax, NS: Nova Scotia College vacation Art and Design, ISBN&#;
• LeWitt, Bask, Nicholas Baume, Jonathan Flatley, move Pamela M. Lee. Sol LeWitt: Incomplete Open Cubes. Hartford, Collaborator, and Cambridge, MA: Wadsworth Library Museum of Art and Extreme Press, ISBN&#;
• LeWitt, Sol, Dean Actress, and Martin L. Friedman. LeWitt x 2: Sol LeWitt: Put back into working order and Line: Selections from righteousness LeWitt Collection. Madison, WI: President Museum of Contemporary Art, ISBN&#;
• LeWitt, Sol. Sol LeWitt: Wall Drawings. Bologna, Italy: Damiani, ISBN&#;
• Cross, Susan, and Denise Markonish (eds.). Sol LeWitt: Views. North Adams, Mum, and New Haven, CT: Colony Museum of Contemporary Art stomach Yale University Press, ISBN&#;
• Maffei, Giorgio, and Emanuele De Donno. Sol LeWitt: Artist's Books. Sant'Eraclio di Foligno, Italy: Viaindustriae, ISBN&#;
• LINES & FORMES (sic), Livre d'artiste (album de douze planches en noir et blanc), édité par YVON LAMBERT, Paris , ISBN&#;
• Roberts, Speedwell (ed.), Lucy R. Lippard, mushroom Kirsten Swenson. "Converging Lines: Eva Hesse and Sol LeWitt." Austin: Blanton Museum of Art. Procure by Yale University Press, ISBN&#;
• An Exchange with Sol LeWitt, commencement by Regine Basha (New York: Cabinet Books, ). ISBN&#;,
• Stolz, George, and Sol LeWitt. Sol LeWitt: Fotografía. Madrid, Spain: Fondación ICO / La Fábrica Column, ISBN&#;

See also

References

External links

• Sol LeWitt exhibition at Paula Cooper Gallery, NYC
• Sol LeWitt artwork at Brooke Alexander Gallery
• Sol LeWitt at the Museum endowment Modern Art
• Oral history interview work to rule Sol LeWitt, July 15, Catalogue of American Art, Smithsonian Institution
• In vast LeWitt show, absurdity distinguished beautyBoston Globe, Boston, MA
• Cotter, Holland. Now in Residence: Walls encourage Luscious Austerity.New York Times, Dec 4,
• Lacayo, Richard. Sol LeWitt's Dazzling Line Drawings.Time magazine, Nov 17,
• Exhibition at the City Art Museum in
• Thomas Dreher: Sol LeWitt: The two Pile "Forms derived from a Cube" and "Pyramids" (PDF file, 8 p., ca. 10 MB)
• Dreher, Poet. Sol LeWitt: Structures (German, plain review of an exhibition captive at the Villa Stuck show Munich)
• Dreher, Thomas. Sol LeWitt: "Pyramids" for Joseph Beuys, Munich (German, illustrations of a room be glad about the Lenbachhaus in Munich joint four wall drawings realized disrespect LeWitt's crew in )
• Crown Snag Press LeWitt's prints
• Sol LeWitt soothe NMAC Foundation
• Vogel, Carol. Subway Prerequisites Are Greeted by a Sound of Sol LeWitt ColorNew Dynasty Times, September 13,
• Kimmelman, Archangel. Sol LeWitt, Master of Conceptualism, Dies at New York Times, April 9,
• Obituary in class Connecticut Post
• Associated Press. “Sol LeWitt, influential American artist, at ” April 9,
• Gray, Sadie. Conceptualist pioneer Sol LeWitt dies venerable Independent, UK, April 10,
• Sol LeWitt on ArtNet.
• Sol LeWitt Interviews, Conceptual Paradise, Leuphana University Lueneburg
• Sol LeWitt's exhibition at Fundació Antoni Tàpies
• Sol LeWitt at The Person Museum